Page 3 à 10 : Émeline Jouve et Xavier Lemoine - Nakedness: the Empty Signifier of Contemporary Bodies in Performance? | Page 11 à 24 : Marjorie Heins - Beyond Sex: Expanding Uses of Nudity in Twenty-First Century American Theatre | Page 25 à 39 : Noelia Hernando-Real - “Disclosing Burlesque: On the Possibilities of Satire and the (Fe)Male Gaze in Chicago (1926, 1975, 2002)” | Page 40 à 56 : Michael Angelo Tata - Nude Descending a Staircase at the National Endowment for the Arts: A Legal Anatomy of Karen Finley’s Constitutional Challenge | Page 57 à 66 : Annette J. Saddik - “On Performing Burlesque and Nakedness”: An Interview with Lefty Lucy, New York City, April 30th, 2021 | Page 67 à 79 : Laura Macdonald - Bare Broadway Bodies: How Nudity Brought the Gay Community and Broadway Cheek to Cheek | Page 80 à 91 : Raphaëlle Tchamitchian - “Showing Her Ass Off in Her Iron Cage”: Dis(-re-)membering the Black Female Body in Suzan-Lori Parks’s Venus | Page 92 à 104 : Toni Sant - Nudity in Digital Performance: Reappraising the Early Online Works of Annie Sprinkle and Frank Moore | Page 105 à 116 : Julie Vatain-Corfdir - Untitled Feminist Show: Nudity as Fluidity | Page 117 à 119 : Jean-Marc Serme - Mathilde Arrivé | Page 119 à 121 : Michaël Roy - Hélène Quanquin | Page 121 à 123 : Chloé Thomas - Xavier Kalck | Page 123 à 124 : Candice Lemaire - Chloé Thomas.
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