Page 131 à 134 : Marie Pecorari - Foreword | Page 135 à 148 : Virginie Magnat - Decolonizing Performance Research | Page 149 à 161 : Diana Taylor - Saving the “Live”? Re-performance and Intangible Cultural Heritage | Page 162 à 175 : Saini Manninen - “In theatre, as in love, the subject is disappearance”. On Absence and Archival Logic in Performance | Page 176 à 193 : Xavier Lemoine - Performing Black Queerness in the U.S. South: Ethnographic Performance and the Blurring of Presence in E.P. Johnson’s Sweet Tea | Page 194 à 205 : Marie Pecorari - Making up (for) the Great Man: Impersonation and Cosmetics in Suzan-Lori Parks’s Topdog/Underdog | Page 206 à 213 : Richard Anker - Remembering Geoffrey Hartman and Wordsworth’s Poetry | Page 214 à 254 : - Comptes rendus.
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